Toman, Dolce Far Niente EP
Nick Curly's Cecille label has been a foundational outlet for European house for what feels like decades now. It has evolved through a number of sub-styles but never strayed too far from solid tech house and that is where Toman finds himself with this Dolce Dar Ninety EP. Courtyard is loopy and swirly and one to get the vibes going, while De Bongo Man is a more playful and percussive groove. Dolce Far Niente kicks like a mule with turbocharged techno stabs and Good Old Sunny Day shuts down with big synth smears and bold downstrokes that make for quite the upbeat house banger. Review © juno.co.uk
12” | Cécille Records | Germany
Nick Curly's Cecille label has been a foundational outlet for European house for what feels like decades now. It has evolved through a number of sub-styles but never strayed too far from solid tech house and that is where Toman finds himself with this Dolce Dar Ninety EP. Courtyard is loopy and swirly and one to get the vibes going, while De Bongo Man is a more playful and percussive groove. Dolce Far Niente kicks like a mule with turbocharged techno stabs and Good Old Sunny Day shuts down with big synth smears and bold downstrokes that make for quite the upbeat house banger. Review © juno.co.uk
12” | Cécille Records | Germany
Nick Curly's Cecille label has been a foundational outlet for European house for what feels like decades now. It has evolved through a number of sub-styles but never strayed too far from solid tech house and that is where Toman finds himself with this Dolce Dar Ninety EP. Courtyard is loopy and swirly and one to get the vibes going, while De Bongo Man is a more playful and percussive groove. Dolce Far Niente kicks like a mule with turbocharged techno stabs and Good Old Sunny Day shuts down with big synth smears and bold downstrokes that make for quite the upbeat house banger. Review © juno.co.uk
12” | Cécille Records | Germany